Taide’s Weblog

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So Difficult: “Independent Info from Syria”

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Clock Tower

All the atrocities are coordinated and conducted from this clock tower. Of course, that's just my assertion (I thought it up), it may not be the clock tower's fault at all, and anyway, I have nothing to back the allegation up, but it sounds good, doesn't it? Besides, a number of people was hanged there by the regime, in 2007.

It is still extremely difficult to obtain independent information from Syria”,writes ARTE, a Franco-German television station. “Now, for the first time”, a journalist, Sofia Amara, succeeded in shooting pictures with a hidden camera, in Syria. Her project was supported by the oppositional “Syrian National Council”.

Yes, it must be extremely difficult to obtain independent information. In June this year, Jürgen Todenhöfer, a German politician, travelled Syria. A video journalist accompanied him and took pictures, too. Not as spectacular – but then, Todenhöfer didn’t need the “Syrian National Council’s” support – and that makes his report much more trustworthy than the one ARTE is mongering, on television, and online.

How did she verify the atrocities reported? How can she tell who commited them? At least on the video shown, ARTE didn’t ask her such questions. A German newscast (ZDF, simply took this into its evening news on October 14, and asked no questions either.

Sure – the Assad regime has failed. How to do business with Syria in the future – or how not to do business with Syria any more – is a legitimate question. Military action should be discussed as an option, too.

But for this kind of journalism, I prefer reading a big German tabloid.

For some more quality, see this interview, conducted by NPR (yes, ARTE, that’s an AMERICAN station).

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Written by taide

October 15, 2011 at 8:41 am

One Response

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  1. […] Tai De isn’t a hyperactive blogger, but when he posts, it’s usually worth a read: like this one, in which he appears to make fun of Sofia Amara‘s (reportedly) Syrian-National-Council-supported stay in Syria. […]


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